James Joyce - Modernist Novels, Dublin, Finnegans Wake (2024)

In Paris Joyce worked on Finnegans Wake, the title of which was kept secret, the novel being known simply as “Work in Progress” until it was published in its entirety in May 1939. In addition to his chronic eye troubles, Joyce suffered great and prolonged heartache over the mental health of his daughter, Lucia. What had seemed her slight eccentricity or the mere moodiness of an artistic temperament in her youth was ultimately diagnosed as schizophrenia, which Joyce tried by every possible means to cure. She was placed in a mental hospital near Paris and remained institutionalized for the rest of her life. In 1931 he and Nora visited London, where they were married, his scruples on this point having yielded to his daughter’s complaints.

Meanwhile he wrote and rewrote sections of Finnegans Wake; often a passage was revised more than a dozen times before he was satisfied. Basically the book is, in one sense, the story of a publican in Chapelizod, near Dublin, his wife, and their three children, but Mr. Humphrey Chimpden Earwicker (often designated by variations on his initials, HCE, one form of which is “Here Comes Everybody”), Anna Livia Plurabelle, Kevin, Jerry, and Isabel are every family of humankind, the archetypal family about whom all humanity is dreaming.

The 18th-century Italian Giambattista Vico provides the basic theory that history is cyclic; to demonstrate this the book begins with the end of a sentence left unfinished on the last page. It is thousands of dreams in one. Languages merge: Anna Livia has “vlossyhair”—włosy being Polish for “hair”; “a bad of wind” blows, bâd being Turkish for “wind.” Characters from literature and history appear and merge and disappear as “the intermisunderstanding minds of the anticollaborators” dream on. On another level, the protagonists are the city of Dublin and the River Liffey—which flows enchantingly through the pages, “leaning with the sloothering slide of her, giddygaddy, grannyma, gossipaceous Anna Livia”—standing as representatives of the history of Ireland and, by extension, of all human history. And throughout the book Joyce himself is present, joking, mocking his critics, defending his theories, remembering his father, enjoying himself.

After the fall of France in World War II (1940), Joyce took his family back to Zürich, where he died, still disappointed with the reception given to his last book.